Louvelle Dance

post-discipline arts company currently based in Dorset.

trailer for “Some Parts of the Back of Beyond”

Choreographed & performed by Emma-Jane Martin

Music by Joan Cot Ros

Film & Editing by Hannah Jelly

Zoe Ramsey, Lauren Shkur, Isaac Skima and Max Evans. In ” Echoes of a lost Music”
2012.
Isaac Skima, Grace Clayton and Kelvin Archer, in “Echoes of a Lost Music” 2012

Echoes of a lost music

"In 2009, I was commissioned by guitarist Matthew Marshall to write something for a tour he was planning of New Zealand. Matthew already had an impressive contemporary repertoire for the classical guitar, but had recently embraced the electric as well. Having acquired a Boss DD-20 looping pedal, he wanted something that would explore this very different sound world to best effect. Being rather critical of many so-called ‘looping’ pieces - the way the loops restrict form and development and often encourage a lazy kind of layering of sound - I resolved to rise to this challenge by researching deeply into their untapped potential. After many months of trial and error, pushing the loop pedal to its extremes, adding E-Bow (a hand-held electro-magnetic device for sustaining notes) and re-tuning the guitar microtonally, I found a music that I’d long felt in my bones but never before quite been able to express; an ambient music, one that dared only to hint at ideas; music that could perhaps go on forever."

Chris Best: description taken from Chris’s web site.

On the 19th June this year as part of UCF’s summer festival, I was lucky enough to attend Chris’s performance of his recent re-working of “Echoes of a Lost Music”. I was captivated, unfortunately for Chris I spent the entire performance with my eyes shut as the music completely transported me off within my head on a visual abstract journey. There was simplicity, a minimalist edge to the images that swirled about my brain but also a great depth, the same sort of impact a Rothko painting has upon my head and it is these suggestions, qualities and murmurings that I hope to try and capture with my choreography for this piece.

There will be a mathematical edge to the choreography to “Echoes of a Lost Music”, I intend to use either 3 or five dancers for several reasons, one they are prime numbers, numbers that have simplicity, the division by themselves and 1 as the only divisions, but also with a depth, they are natural numbers, building blocks. I also like the unevenness this will create with the formations of movement which is an aspect I wish to explore within the choreography, “Echoes of a Lost Music” is not a conventional score, it is not uniformed, but it is also not out of control, the dancers will echo this within their movement. Just as Chris aimed for music that hinted at ideas, a music that perhaps could go on forever, the movement will aim to hint at a bigger picture, something abstract and beyond, perhaps a movement that could go on forever?

The music will be performed live and there will be no set, no props, just the dancers, the music and the lighting, which at present I see as cool hues, striking and simple, with the dancer’s appearance following in a similar vein.

Emma Louvelle

http://christopherbest.net/

Performance 3rd December 2011 at “In The Flesh” Barbican Plymouth.

and 13th march 2012, Bristol Bierkeller, doors 7.30pm £7:00

Two recent projects, at the Fal River Festival on 28th May as part of the getting Cornwall dancing event in the marquee in events square Joan Cot Ros and Emma Louvelle performed a music and Dance improvisation based on the idea of conversation.

Under the I, was an experiment in improvisation were the score was a mixture of the audience and chance, it was performed and devised by Emma Louvelle, with the assistance of Mark Ferbrache, Alys North and Rachel Page at the Performance centre at tremough campus, University of Falmouth.

www.peter-sheppard-skaerved.com/2011/04/joan-cot-ros/ -

This was a dance improvisation that we did at the experimental open mic session at The Kings Arms in Penryn as part of the Sound art festival “Resound”. It was a collaberation with the Sound Artist Jack Harris.www.jackharris.info/

Photographs by Stuart Green http://www.flickr.com/photos/stu_k/sets/72157626373119502/

Performers : Lillie Berger, Alys North & Emma Louvelle.

devised by Emma Louvelle.

Original text for recent dance film by Louvelle Dance, which will be shown at the Cornish film festival in the experimental film section.

Adams Ale.

Because she had gone and eaten the apple, our father said she needed to wash herself from head to toe, as there wasn’t room for people who were dirty, like the animals who roamed outside in our neat, tidy and shiny house.

Our father, well he was a stickler for cleanliness!

 

 In his bed I let his serpent enter me, but in his eyes my body, my breasts, arms, fingers, neck, stomach, mouth, legs and behind where tainted and used, the sheen of the new had gone and like that I was second-hand and rusty in his eyes.

Her breasts were like apples, ready to be eaten, calling him to become corrupted by their consumption, asking to be polished up!

 

 

The apple in his mother’s eye, it was always there, twinkling, mocking, beckoning and taking her away.

text by Emma Louvelle

Music for recent dance film by Louvelle Dance “Adams Ale”, an original score by Jake Brazier Brown.

Adam’s Ale will be shown at the Cornish Film festival.

cornwallfilmfestival.com

 

Lisea  Baumgartner and Ben Cariss Smith in This is Why they Give.

Lisea Baumgartner and Ben Cariss Smith in This is Why they Give.

Opening group scene from "This is why they give"
Performed at Falmouth Performance Centre Dec 2010, The Poly in Falmouth Feb 2011
and at In the Flesh at The Barbican in Plymouth Feb 2011.
Choreographers Emma Louvelle (aka Emma Martin), Alys North and Lillie Berger
Dancers : Angelica Goulab, Ben Driscoll, Ben Cariss Smith, Danny Prosser, Ester  Pürgstaller, Grace Clayton, Jake Chapman, John Greene, Isaac Sakima, Liesa Baumgartner, Lucie Mostyn & Sarah McCartney.
Music Arrangement: Marcus Knight www.reverbnation.com/marcusknightmusic
Technicians: Chloe Smith, Alex Codling & Peter Hooper
Music : Window by The Album Leaf, Soft Ware Engineer_0106 by Yannis Kyriakidos, Baooding by David Berezan, Doctor & Patent by Meredith Monk, 10 Archaica, part 2 by Tchaikovsky, Rues de Cascades & Freaks: Comptine d’Ete no 17 by Yann Tiersen.
Poem: The Old Fools by Phillip Larkin. The last verse of this poem by Larkin was inspiration for this piece and also provided the work with its tittle.
Perhaps being old is having lighted rooms
Inside you head, and people in them, acting
People you know, yet can't quite name; each looms
Like a deep loss restored, from known doors turning,
Setting down a lamp, smiling from a stair, extracting
A known book from the shelves; or sometimes only
The rooms themselves, chairs and a fire burning,
The blown bush at the window, 
or the sun's
Faint friendliness on the wall some lonely
Rain-ceased midsummer evening. 
That is where they live:
Not here and now, but where all happened once.
This is why they give.

Opening group scene from "This is why they give"

Performed at Falmouth Performance Centre Dec 2010, The Poly in Falmouth Feb 2011

and at In the Flesh at The Barbican in Plymouth Feb 2011.

Choreographers Emma Louvelle (aka Emma Martin), Alys North and Lillie Berger

Dancers : Angelica Goulab, Ben Driscoll, Ben Cariss Smith, Danny Prosser, Ester Pürgstaller, Grace Clayton, Jake Chapman, John Greene, Isaac Sakima, Liesa Baumgartner, Lucie Mostyn & Sarah McCartney.

Music Arrangement: Marcus Knight www.reverbnation.com/marcusknightmusic

Technicians: Chloe Smith, Alex Codling & Peter Hooper

Music : Window by The Album Leaf, Soft Ware Engineer_0106 by Yannis Kyriakidos, Baooding by David Berezan, Doctor & Patent by Meredith Monk, 10 Archaica, part 2 by Tchaikovsky, Rues de Cascades & Freaks: Comptine d’Ete no 17 by Yann Tiersen.

Poem: The Old Fools by Phillip Larkin. The last verse of this poem by Larkin was inspiration for this piece and also provided the work with its tittle.

Perhaps being old is having lighted rooms
Inside you head, and people in them, acting
People you know, yet can't quite name; each looms
Like a deep loss restored, from known doors turning,
Setting down a lamp, smiling from a stair, extracting
A known book from the shelves; or sometimes only
The rooms themselves, chairs and a fire burning,
The blown bush at the window, 
or the sun's
Faint friendliness on the wall some lonely
Rain-ceased midsummer evening. 
That is where they live:
Not here and now, but where all happened once.
This is why they give.